Tuesday, 30 September 2014

blog 3: North by northwest

Analysing North by northwest

Analysing Crop duster scene
The crop duster scene is a great scene in thriller movies. The scene starts with Roger Thornhill meeting who he thinks is George kaplin, He waits at a bus stop whilst cars continually pass him, after a while he sees a man leave a car and walk over to a bus stop, but he finds out that it is just a man going to work. The man points out the crop duster (a type of plane) is "dusting where there theres no crops. The plane then heads straight towards Roger, and a man from the plane begins shooting. Roger runs towards the crop fields, but the crop duster uses its tools to its advantage, dusting the crops so that Roger has to run out of them. Roger runs towards the highway and tries to stop an oil tanker, which narrowly misses him after he falls under it. the plane goes low to try and hit Roger thornhill again but ends up crashing into the tanker, causing it to blow. In the confusion Roger steals a car from someone who is watching the explosion and returns back to the city.

There are various aspects that make the scene great, the camera work,editing, mise en scene and sound. One of the first things that stands out from the camera work is the establishing shot at the begin. The camera shows nothing but empty fields and a long desolate highway. This reinforces the fact that at that moment Roger is alone and vulnerable, and puts the viewers on edge fearing that something might happen to him. The camera work also shows various pov's of Roger thornhill, Roger is seen continually looking down the highway to see the cars that are approaching. This camera work shows that roger is growing increasingly impatient waiting for George Kaplin to appear.

Mise en scene
There are not a lot of props used in the crop duster scene, aside from the bus stop sign and a few cars. There is one point in the scene where a black limousine is fast approaching Roger. This puts the audience on edge because they believe that something will happen to Roger, and that a drive by would be the most obvious way to kill him, since the countryside around him is empty. However the car simply drives past him. This goes against the cliche that usually happened at the time, and leaves the audience asking what will happen to Roger now?







Sound
at the start of the scene there is only diegetic sound. No soundtrack accompanies Roger whilst he is at the bus stop. Like the establishing shot this reinforces the fact that Roger is alone. However once Roger spots the plane heading towards him Non diegetic sound begins and the music begins to ramp up to match the action. The music reaches its peak when the plane hits the tanker, this shows that the danger and action for Roger has ended

Editing
The editing in this scene starts of slow. There are various cuts in the beginning to roger thornhills pov, this is to establish the fact that there is not a lot going on in the area. However theese short cuts also give the audience tension, because they are waiting for something to happen to Roger Thornhill. As Roger Thornhill notices the plane, the cuts begin to get alot quicker. This is to match the action that is happening on screen and puts the audience in the shoes of Roger Thornhill.

Thursday, 18 September 2014

Cinematography Evaluation


Cinematography Evaluation

This was a film that we created for our AS level media class. Our task was too record a journey
around the school. We were given 30 mins and had to use a variety of camera shots. For example we used extreme close up, close up, medium shot, pan shot, tilt shot, crane shot, point of view, over the shoulder, aerial shot and long shot. Overall i thought a lot of the shots worked well, especially the crane, aerial and long shots. We got into a position above the courtyard which meant that a lot of the area was showed, However recording it from the window meant that the shot was not as clear as it could of been. I also feel that some of the shots felt out of place, like the rotate shot and extreme close up, They could of been used elsewhere to make the short video more effective. Laughing whist some of the were being recorded was also off task, and although we tried to incorporate it into the film, by having Michael sit down as if i was having a conversation with him, i feel it would of been better if i remained on task. I feel like the pan up shot was effective for the ending as it is very similar to what some directors, such as Alfred Hitchcock, do to end their films.

Cinematography (camera excercise)


Cinematography (camera shots)

Camera Shots

Over the shoulder - Shows conversations, over the shoulder of dfferent genders may represent power

Tracking Shot - follows the action

Long shot - shows the character at a distance, useful for showing 2 characters together or the full body posture/outfit of someone

Close up - close up of a characters face, shows characters facial expressions e.g scared, happy

extreme close up - an extreme close up of a certain feature of the face e.g eyes

Aerial shot - shot taken from a birds eye view, may show power

Landscape shot - Shows the characters surroundings

Medium shot - shows the character from the waste up

POV shot - puts the audience in the characters shoes, lets the audience see from the characters eyes

Low angle shot - shows the character from a low angle, gives the character a sense of power

high angle shot - shows the character from a high angle, may make the character appear weak






Monday, 15 September 2014

blog 2: Media theorists and theories


Media Theorists and  Theories

Barthes – Enigma Codes
Levi Strauss – Binary Opposites
Traditional Hollywood Narrative Structure – 3 Acts (linear)
Todorov – narrative theory – 5 stages
Propp – Character Types.


Traditional Hollywood Narrative Structure.

Three Act Structure = the typical Hollywood narrative = set up (25% time) /confrontation (50%) /climax (Final 25% of film time)
Linear (chronological), few, if any, sub-plots, tendency towards closure at end of film.


Barthes Enigma Codes

Enigma (mystery).
Roland Barthes: all texts are ‘complex’ bundles of meaning.
Enigma codes (problems introduced) – usually in ‘disruption’ stage.
Open – not resolved at end
Closed texts – resolved at end
 Polysemic texts – lots of different meanings

Levi Strauss Binary Opposition

He said narratives can be organised through binary opposition -  two things opposed – often dominant vs subordinate - e.g. male/female, hero/villain

Todorov's Narrative Theory

In 1969 Todorov produced a theory which he believed to be able to be applied to any film.
Todorov  believed that all films followed the same narrative pattern through various stages.

Todorov – the 5 Stages
There are five stages the narrative can progress through:
1. A state of equilibrium (All is as it should be.)
2. A disruption of that order by an event.
3. A recognition that the disorder has occurred.
4. An attempt to repair the damage of the disruption.
5. A return or restoration of a NEW equilibrium

Vladimir Propp


Vladimir Propp – character types – analysed traditional folk stories – 8 key character roles
 Hero/Villain/Helper/Donor(Provider)/Father/Dispatcher/Princess/
  False Hero -  N.B. one character can perform more than one role
 

Representation of Women in Film

The male gaze = women viewed as the objects of male erotic desire – in film and audience
 men active / women passive.
Women do not  have agency – they do not move the plot forward.
The audience is forced to identify with male gaze.
Cinema reflects patriarchal (male dominated) society
Patriarchy and phallocentrism linked – phallus (penis) a symbol of power – e.g. in cinema guns = phallus = power.                             

Thursday, 11 September 2014

Blog 1: Thriller conventions

Thriller Conventions

The Thriller is a broad genre of literature, film and television that includes numerous and o6en overlapping sub-genres.
Thriller Conventions.
Thrillers have:
fast pacing
frequent acton
and resourceful heroes who must thwart the plans of more powerful and better equipped villains.
A thriller is a villain driven plot. The villain presents obstacles the hero must overcome.

Thriller Devices
Thrillers use Devices such as:
suspense, red herrings cliffhangers
The genre is flexible and can engage the audience through a drama rendering of psychological, social and political tensions.
 Hitchcock said thrillers allow the audience, "to put their toe in the cold water of fear to see what it's like”

More characteristics of a thriller.
Thrillers often take place in exotic scenes such as foreign cities.
The heroes in most thrillers are frequently "hard men" accustomed to danger e.g. policemen. However, they may also be ordinary citizens drawn into danger by accident.
While such heroes have traditionally been men, women lead characters have become increasingly common; for an early example see Sigourney Weaver's character Ripley, in the movie Alien, 1979.
Thrillers differ from Mystery Stories.
Thrillers often overlap with mystery stories, but are distinguished by the structure of their plots.
In a thriller, the hero must thwart the future plans of an enemy, rather than uncover a crime that has already happened .
A murder mystery would be spoiled by knowing the murderer's identity whereas in a thriller the identity of a murderer / villain is typically known all along

Thrillers differ from Mystery Stories.
 Thrillers occur on a much grander scale than Mystery Films: the crimes that must be prevented are serial or mass murder, terrorism, assassination, or the overthrow of governments.  Danger and violent confrontations are standard plot elements of a Thriller
 The climax of a mystery is when the mystery is solved, a thriller climaxes when the hero finally defeats the villain, saving his own life and o6en the lives of others.
Types of Thrillers
There are all kinds of Thriller.
legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller.
The list goes on and on, with new variations constantly being invented.
In fact, this openness to expansion is one of the genre's most enduring characteristics.

 Thrillers can be defined by the primary mood that they create: fearful excitement.
 In short, if it "thrills", it is a thriller. 

Tuesday, 9 September 2014

The brief

The brief


You have been asked to produce the titles and opening sequence of a new fiction film in the thriller genre.
The sequence should last a maximum of two minutes.
You may work in a group of 2 - 4 students.
As acting is not assessed you are free to use actors that are not members of your group.
The film is worth 60% of your coursework grade.
The accompanying blog is worth 40% of your coursework grade

Together the Foundation Portfolio is worth 50% of the overall AS Level.  

Genre

A genre is the category in which a film might fall under. There are many different genres, for example horror, thriller and comedy. There are also sub genres, these are when two genres cross over into each other, for example horror-comedy or thriller-action.








This is an example of horror-comedy







This is an example of thriller - action

Monday, 8 September 2014

Welcome Post

In this blog i will be looking at the various aspects of the thriller genre, this is part of my AS level media course at Robert Clack school.